A celebration of the recent past:
This site reflects my experiences and interests as an historical archaeologist – someone researching the archaeology of the recent past. I am particularly interested in industrial archaeology and nineteenth century material culture, especially mass-produced miniatures.
Within these pages you'll find pages about my past, about my career as an archaeologist, and about my travels, in the UK, in Canada, in Europe and beyond. There are lots of images, reflecting my enjoyment of photography.
LATEST UPLOAD: Old photographs of Nottingham lace machines
Exploring a new world
After some nine frustrating and stressful months I have a new home, in Saanich, the community immediately to the north of downtown Victoria.
Back in Canada
In the midst of the Covid-19 pandemic, my path took a new turn as I arrived to begin a new life in Canada. After two weeks of quarantine, the search for somewhere to live in Victoria, British Columbia, began... MORE
Archaeology at Ty Coch
A final fortnight of archaeology of Ty Coch lock keeper's cottage. MORE
A presentation in Finland
I was fortunate to be invited to present to this one-day conference, which was held in the Finnish Labour Museum in Tampere, the "Manchester of Finland." I also managed a brief visit to Helsinki and its Toy Museum. MORE
The industrial railway wagons of Leeds Industrial Museum
In early 2019 I carried out a Project Placement at Leeds Industrial Museum, Armley Mills. My project was to audit, research and assess the museum’s collection of some 54 industrial railway wagons, or parts of wagons, that have been neglected since the early 1990s. It was great fun, and I'm looking forward to doing more of this kind of work in the future. MORE
REMPART/Erasmus Heritage Volunteer Leaders Training, Villendraut, France
I was privileged to represent the Waterway Recovery Group, and the UK, at a week-long workshop for "heritage heroes" - leaders of heritage work-camps - organised jointly by REMPART and Erasmus. MORE
I have a wide range of interests, and I've tried to introduce and enthuse about them here. The recent past is a fascinating and under-explored place. MORE
Dig where you stand
I have taken up the challenge of Swedish writer Sven Lindqvist and adapted it to make my study of the archaeology of "where" include both a geographical location — right here — as well as the people who lived (and live) here. MORE
Museums, buildings filled with other people's material culture, may create barriers that are not just the glass of display cabinets. I believe that everyone has a life that should be valued, and that value is reflected in the unique material world in which each individual lives. I think each of us, probably unwittingly, lives in our own museum, "a private museum of memory, identity and creative appropriation" (Anat Hecht 2001). This is the beginning of my very own museum! MORE
The mines of south-east Spain
La Union, east of Cartagena, Murcia, has been mined since pre-Roman times and is an industrial archaeologist's heaven. MORE
Ghost signs and painted bricks
In a time when it was assumed that businesses, their products and activities possessed permanence, advertisements were often painted on the sides of buildings. The subjects of these artworks have usually long vanished, but the paint lingers on, creating a tantalising and fragile kind of vertical archaeology. MORE
I've long been fascinated by the remains of forgotten and abandoned railways and tramways, which, despite once demanding complex engineering, often leave scant traces in the present-day landscape. MORE
The present in which I live was created by the so-called "Industrial Revolution". I've put together a (growing) series of photo essays looking at the archaeology of the industrial past. MORE
My MA: The historical archaeology of miniatures
Mass-produced miniatures, though ubiquitous throughout the last few centuries, have either been overlooked or given little value by historical archaeologists. MORE
My PhD: Objects of Delight
An investigation of miniaturisation focusing on nineteenth century mass-produced miniature objects in working class contexts. I'm gradually creating an online version of my thesis. MORE
As a dyed-in-the-wool archaeologist, I keep my eyes open as I dig my garden. MORE
More of my stuff:
- Ralph Mills: My personal web site, in which I explore the importance of material culture in everyone's lives.
- Miniature Material Culture: My blog where I occasionally think about my interest in miniaturisation.
- Material Memories: My blog where, now and then, I muse about the relationships between memory and objects.
- Ralph at Large: My general-purpose, pottering about blog, recently rejigged and restarted.
- @archaeologyman: My Twitter presence.
Why "Fires of Prometheus"?
The Greek god Prometheus stole fire from his peers and gave it to the mortals he had moulded from clay and given life to. Fire made metal working possible, and led eventually to the Industrial Revolution. The fires of Prometheus therefore provided power for millions of machines, and burned in millions of hearths. Without Prometheus there would be no warmth, and no industrial history.
Last updated 27th October 2022